@Silverhame
Part two!
Capitalization needed because it's a title: 'God of Ice'.
You're using passive voice here, but active voice is better: "It was loaded with barrels of various sizes..."
The lip of what tail? His tail?
I'm confused about what's happening here. Is he sick or are other dragons sick?Are they asking him to heal? If so, why would he say he's a healer instead of a mage, like he told the brown tundra?
Where is he now? You need to mention it so the reader has a clear idea of the transition between when he wanders and when he's at a place.
'Chanting spells' instead of 'Speaking a spell'.
Change to: 'If he reached back too far...' Also, an ellipse has three periods not four.
Again, three periods for an ellipse, not four.
Sauter? Do you mean solder?
I don't understand why him and other prisoners are being set free, especially after pleading guilty. Unless there's been a time skip and after years and years, they're being set free? If so, you need to indicate this time shift.
Overall: Is this based on Gingko from Mushishi? If not, then don't worry about it. I think the strongest part of your writing is that you can really utilize your writing to set a distinct tone of the story. The descriptions you use in the story are hauntingly beautiful. However, even though your writing is beautiful, you need to know how to write it in a way that is grammatically correct. Only then will you be able to really craft a world and a story that impacts the reader.
For example, you utilize a lot of fragmented sentences. these are sentences that are just a statement. It's okay to use one or two of these, but you need to use them sparingly. In a similar vein, you start your sentences a lot with 'and', which should also be used sparingly.
The last thing is that you need to be clear with what he's doing, especially during transition scenes. You're really good with describing his inner thoughts, but his outer actions—what he's doing, where he's going, where he is currently sitting—are unclear and downright confusing at times. I pointed it out where I could.
And favourite line: When this herb had to be diced and those books stacked, he diced the books and stacked the herbs.
Part two!
Quote:
And then he looked again at the hard lines of the fortress and knew it to be the dwelling place of the Icewarden, god of ice.
Capitalization needed because it's a title: 'God of Ice'.
Quote:
Barrels of various sizes loaded it, filled with grain by the scent of them.
You're using passive voice here, but active voice is better: "It was loaded with barrels of various sizes..."
Quote:
With a sigh, he settled himself on the lip of the tail and adjusted the pack around his neck.
The lip of what tail? His tail?
Quote:
In the southern winter, sniffles and wheezes were abundant, and though dragons were quick to exchange country cures for coins and food, Ginkgo backed away from their offers until his stomach could stand it no longer.
I'm confused about what's happening here. Is he sick or are other dragons sick?Are they asking him to heal? If so, why would he say he's a healer instead of a mage, like he told the brown tundra?
Quote:
And then, a Tundra bursting in, her armor clattering...
Where is he now? You need to mention it so the reader has a clear idea of the transition between when he wanders and when he's at a place.
Quote:
Speaking a spell still left a sick feeling in his stomach, but what could he do?
'Chanting spells' instead of 'Speaking a spell'.
Quote:
For reach back too far, and he would rediscover the first day….
Change to: 'If he reached back too far...' Also, an ellipse has three periods not four.
Quote:
And here Ginkgo’s memory flinched away still harder, not from the sentence but the judge who proclaimed the sentence….
Again, three periods for an ellipse, not four.
Quote:
He smelled the acrid tang of sauter, and a guard with a wicked file sawed through his bonds and pushed a packet into his paws, wrapped in a dirty cloth.
Sauter? Do you mean solder?
Quote:
“Go. You’re free.”
I don't understand why him and other prisoners are being set free, especially after pleading guilty. Unless there's been a time skip and after years and years, they're being set free? If so, you need to indicate this time shift.
Overall: Is this based on Gingko from Mushishi? If not, then don't worry about it. I think the strongest part of your writing is that you can really utilize your writing to set a distinct tone of the story. The descriptions you use in the story are hauntingly beautiful. However, even though your writing is beautiful, you need to know how to write it in a way that is grammatically correct. Only then will you be able to really craft a world and a story that impacts the reader.
For example, you utilize a lot of fragmented sentences. these are sentences that are just a statement. It's okay to use one or two of these, but you need to use them sparingly. In a similar vein, you start your sentences a lot with 'and', which should also be used sparingly.
The last thing is that you need to be clear with what he's doing, especially during transition scenes. You're really good with describing his inner thoughts, but his outer actions—what he's doing, where he's going, where he is currently sitting—are unclear and downright confusing at times. I pointed it out where I could.
And favourite line: When this herb had to be diced and those books stacked, he diced the books and stacked the herbs.